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I’m a little embarrassed by how few female artists this blog has featured in recent weeks, so here’s a Picture of the Week by arguably Britain’s greatest living artist.  No tokenism here though, this is stunning…

 

 

 

 

 

 

 

 

 

 

 

Who? Bridget Riley

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To the best of my knowledge, this is only the second English language review of the Prado’s ambitious Goya in Times of War exhibition thus farAs such, I feel the weight of such an important duty rest heavily on my shoulders – I only hope I can do both you, my dear reader, and the exhibition justice.

 

Dos de Mayo

 

First and foremost, some (highly significant) context.  Madrid’s magnificent Prado gallery already houses the greatest Goya collection in the world, but this is its first retrospective proper in over a decade.  The occasion?  Nothing less than the 200-year anniversary of the most evocative date in Spanish history: the 2nd of May 1808

This famous uprising against French oppressors – not to mention the bloody revenge exacted the following day – retains legendary status for the Spanish people and inspired some of Goya’s greatest work.  However, as we shall come to see, our friend Goya was somewhat more equivocal in his treatment of the events than many of his compatriots.

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There are unique difficulties involved in coming face-to-face with one of the most significant paintings the world has ever seen.  As an art lover in Madrid this is a problem you’re going to face on a regular basis, but I still haven’t come up with a decent solution.  After all, when you’re gaping open-mouthed at the greatest painting of the 20th Century, no amount of looking is ever really going to be enough… Read the rest of this entry »

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