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To the best of my knowledge, this is only the second English language review of the Prado’s ambitious Goya in Times of War exhibition thus farAs such, I feel the weight of such an important duty rest heavily on my shoulders – I only hope I can do both you, my dear reader, and the exhibition justice.

 

Dos de Mayo

 

First and foremost, some (highly significant) context.  Madrid’s magnificent Prado gallery already houses the greatest Goya collection in the world, but this is its first retrospective proper in over a decade.  The occasion?  Nothing less than the 200-year anniversary of the most evocative date in Spanish history: the 2nd of May 1808

This famous uprising against French oppressors – not to mention the bloody revenge exacted the following day – retains legendary status for the Spanish people and inspired some of Goya’s greatest work.  However, as we shall come to see, our friend Goya was somewhat more equivocal in his treatment of the events than many of his compatriots.

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Every so often the art world sneaks out advance warning of an exciting new exhibition on its way to us.  Today was one of those days, with London’s National Gallery releasing details of its fantastic-sounding Renaissance Faces: Van Eyck to Titian. 

 

Moroni\'s The Tailor

 

 

 

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